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The American Musical Instrument Society

 

AMIS Journal

AMIS Journal

AMIS Journal Book Reviews Indexed by Book Author

Volume 1 (1975) through Volume 46 (2016)

Articles by Author Articles by Title Articles by Subject
Reviews by Author of Book Reviews by Title of Book Reviews by Reviewer

 

Acht, Rob von, see Scheurwater, Wouter, and Rob van Acht.

Adams, Peter H. An Annotated Index to Selected Articles from The Musical Courier, 1880–1940. Reviewed by William E. Hettrick. 36 (2010): 179–82.

Ahrens, Christian. Valved Brass: The History of an Invention. Reviewed by Robert E. Eliason. 35 (2009): 171–74.

Aksdal, Bjørn. Med Piber og Basuner, Skalmeye og Fiol: Musikinstrumenter i Norge ca. 1600–1800 [With pipes and trombones, shawm and fiddle: musical instruments in Norway ca. 1600–1800]. Reviewed by John G. Johnstone. 9 (1983): 124–25.

Anoyanakis, Fivos. Greek Popular Musical Instruments, Engl. transl. by Christopher N. W. Klint. Reviewed by Margaret Anne Downie. 9 (1983): 118–21.

Armstrong, Janice Gray, ed. Catching the Tune: Music and William Sidney Mount. Reviewed by Dale Higbee. 11 (1985): 176–79.

Arnold, Alison, ed. South Asia: The Indian Subcontinent (The Garland Encyclopedia of World Music,Vol. 5). Reviewed by Beth Bullard. 27 (2001): 183–88.

Arruga, Franco Lorenzo, Luigi di Fronzo, Elena Previdi, and Giovanni Paolo Di Stefano. Note de valzer nel mondo viennese: Arte e musica nel fortepiano di Heitzmann / Waltzes from the World of Vienna: Art and Music on the Heitzmann Fortepiano. Alla ricerca dei suoni perduti / In Search of Lost Sounds, Appendix 2. Reviewed by Anita Sullivan. 38 (2012): 166–69.

Askenfelt, Anders, ed. Five Lectures on the Acoustics of the Piano. Reviewed by Edward L. Kottick. 18 (1992): 124–31.

Bachman-Geiser, Brigitte. Europäische Musikinstrumente im Bernischen Historischen Museum: Die Sammlung als Spiegel bernischer Musikkultur. Reviewed by Beth Bullard. 29 (2003): 266–70.

Bahnert, Heinz, Theodor Herzberg, and Herbert Schramm. Metallblasinstrumente, 2d ed. Reviewed by George R. Hunter. 15 (1989): 129–31.

Baines, Anthony. The Bate Collection of Historical Wind Instruments: Catalogue of the Instruments. Reviewed by Dale Higbee. 5–6 (1979–80): 216–17.

Banks, Margaret Downie, see Downie, Margaret Anne.

Bär, Frank P., ed. Musica Instrumentalis: Zeitschrift für Organologie. Ausgabe 1 (1998); Band 2 (1999). Reviewed by William Hettrick. 27 (2001): 212–15.

Barbieri, Patrizio. Enharmonic Instruments and Music, 1470–1900: Revised and Translated Studies. Reviewed by Edward L. Kottick. 35 (2009): 159–63.

Barbieri, Patrizio. Physics of Wind Instruments and Organ Pipes 1100 –2010: New and Extended Writings. Reviewed by Murray Campbell. 42 (2016): 240–43.

Barclay, Robert. The Preservation and Use of Historic Musical Instruments. Reviewed by Albert R. Rice. 32 (2006): 191–94.

Barclay, Robert L., ed. The Care of Historic Musical Instruments. Reviewed by Laurence Libin. 25 (1999): 157–60.

Barigazzi, Giuseppe, John Henry van der Meer, Daniela Di Castro, and Michael Latcham. Walter e Stein gli strumenti di Mozart: Arte e musica nella collezione di Fernanda Giulini / Mozart’s Piano Makers Walter and Stein: Art and Music in Fernanda Giulini’s Collection. Reviewed by Thomas G. MacCracken. 34 (2008): 145–49.

Baron, Ernst Gottlieb. Study of the Lute (1727), Eng. transl. by Douglas Alton Smith. Reviewed by Hugh Gough. 4 (1978): 138–41.

Basart, Ann P. The Sound of the Fortepiano. Reviewed by Arthur Lawrence. 13 (1987): 116–18.

Bazzi, Andreina, see Mazzoca, Fernando, Grant O’Brien, Giovanni Paolo Di Stefano, Lavinia Galli, and Andreina Bazzi.

Bédos de Celles, François. The Organ-Builder, Eng. transl. by Charles Ferguson. Reviewed by Fenner Douglass. 5–6 (1979–80): 193–97.

Bernard, Nelly van Ree. The Psaltery: An Annotated Audio-visual Review of Different Types of Psaltery. Reviewed by Becky Blackley. 17 (1991): 158–61.

Berrow, Jim, ed. Towards the Conservation and Restoration of Historic Organs: A Record of the Liverpool Conference, 23–26 August 1999. Reviewed by Barbara Owen. 28 (2002): 238–41.

Betz, Marianne. Der Csakan und seine Musik: Wiener Musikleben im frühen 19. Jahrhundert, dargestellt am Beispiel einer Spazierstockblockflöte. Reviewed by William Hettrick. 21 (1995): 101–04.

Bevan, Clifford, ed. Musical Instrument Collections in the British Isles. Reviewed by Dale Higbee. 18 (1992): 106–09.

Bevan, Clifford. The Tuba Family. Reviewed by André P. Larson. 5–6 (1979–80): 205–07.

Bigio, Robert, ed. Readings in the History of the Flute: Monographs, Essays, Reviews, Letters and Advertisements from Nineteenth-Century London, edited and with an introduction. Reviewed by Jane Bowers. 34 (2008): 124–31.

Bigio, Robert. Rudall, Rose & Carte: The Art of the Flute in Britain. Reviewed by Susan Berdahl. 40 (2014): 240–43.

Blades, James, and Jeremy Montagu. Early Percussion Instruments from the Middle Ages to the Baroque. Reviewed by Edmund A. Bowles. 4 (1978): 125–30.

Blades, James. Percussion Instruments and Their History, rev. ed. Reviewed by Joseph H. Howard. 11 (1985): 190–91.

Blakeman, Edward. Taffanel: Genius of the Flute. Reviewed by Jane Bowers. 34 (2008): 124–31.

Boalch, Donald H. Makers of the Harpsichord and Clavichord 1440–1840, third edition, edited by Charles Mould. Reviewed by Laurence Libin. 23 (1997): 147–51.

Bonta, Stephen, and William Salzillo, eds. The Schambach Collection of Musical Instruments. Reviewed by Dale Higbee. 11 (1985): 176–79.

Boomkamp, Carel van Leeuwen, and John Henry van der Meer. The Carel van Leeuwen Boomkamp Collection of Musical Instruments: Descriptive Catalogue. Reviewed by Lloyd P. Farrar. 9 (1983): 112–17.

Borders, James M. European and American Wind and Percussion Instruments: Catalogue of the Stearns Collection of Musical Instruments, University of Michigan. Reviewed by Albert R. Rice. 15 (1989): 133–37.

Bösel, Richard, ed. La cultura del fortepiano / Die Kultur des Hammerklaviers 1770–1830: Atti del Convegno internazionale di studi / Akten der internationalen Studientagung; Roma 26–29 Maggio 2004 / Rom 26.–29. Mai 2004. Reviewed by Eva Badura-Skoda . 36 (2010): 160–65.

Bouterse, Jan. Dutch Woodwind Instruments and Their Makers, 1660–1760. Reviewed by Albert R. Rice. 34 (2008): 131–35.

Bowles, Edmund A. Musical Ensembles in Festival Books, 1500–1800: An Iconographical and Documentary Survey. Reviewed by Margaret Downie Banks. 16 (1990): 180–85.

Bowles, Edmund A. The Timpani: A History in Pictures and Documents. Reviewed by Arnold Myers. 30 (2004): 166–68.

Boydell, Barra. The Crumhorn and Other Renaissance Windcap Instruments. Reviewed by Kenton T. Meyer. 9 (1983): 133–42.

Brandily, Monique. Instruments de musique et musiciens instrumentistes chez les Teda du Tibesti. Reviewed by Darius L. Thieme. 5–6 (1979–80): 207–10.

Brauchli, Bernard, Alberto Galazzo, and Ivan Moody, eds. De Clavicordio VI: Proceedings of the VI International Clavichord Symposium, Magnano 2003. Reviewed by Rodney Myrvaagnes. 34 (2008): 135–40.

Brauchli, Bernard, Alberto Galazzo, and Judith Wardman, eds. De clavicordio VIII: The Clavichord on the Iberian Peninsula; Proceedings of the VIII International Clavichord Symposium, Magnano, 5–8 September 2007. Reviewed by Laurence Libin. 35 (2009): 168–71.

Brauchli, Bernard, Alberto Galazzo, and Judith Wardman, eds. De Clavicordio IX: Proceedings of the IX International Clavichord Symposium. Reviewed by John Koster. 40 (2014): 245–49.

Brauchli, Bernard, Alberto Galazzo, and Judith Wardman, eds. De Clavicordio X: Proceedings of the X International Clavichord Symposium. Reviewed by John Koster. 40 (2014): 245–49.

Brauchli, Bernard, Susan Brauchli, and Alberto Galazzo, eds. De Clavicordio II: Proceedings of the International Clavichord Symposium = Atti del Congresso Internazionale sul Clavicordo: Magnano, 21–23 September 1995. Reviewed by Edward L. Kottick. 24 (1998): 164–69.

Brauchli, Bernard. The Clavichord. Reviewed by Richard Troeger. 26 (2000): 224–28.

Brownlow, Art. The Last Trumpet: A History of the English Slide Trumpet. Reviewed by Robert E. Eliason. 24 (1998): 157–59.

Brüchle, Bernhard, and Kurt Janetzky. Kulturgeschichte des Horns: Ein Bildsachbuch / A Pictorial History of the Horn. Reviewed by Robert E. Eliason. 5–6 (1979–80): 203–05.

Buijsen Edwin, Louis Peter Grijp, et al. The Hoogsteder Exhibition of Music and Painting in the Golden Age. Reviewed by Dale Higbee. 23 (1997): 166–69.

Burgess, Geoffrey, and Bruce Haynes.The Oboe. Reviewed by Samantha Owens. 31 (2005): 195–99.

Butler, H. Reynolds, see Selch, Frederick R., and H. Reynolds Butler.

Caba, G. Craig. United States Military Drums, 1845–1865: A Pictorial Survey. Reviewed by Lloyd P. Farrar. 5–6 (1979–80): 210–13.

Campbell, Murray, Clive Greated, and Arnold Myers. Musical Instruments: History, Technology, and Performance of Instruments of Western Music. Reviewed by Laurence Libin. 32 (2006): 186–90.

Carter, Stewart, ed. Brass Scholarship in Review: Proceedings of the Historic Brass Society Conference, Cité de la Musique, Paris 1999. Reviewed by Niles Eldredge. 34 (2008): 122–24.

Castellengo, M., F. Drouin, and P. Sechet. La flûte traversiere à une clef. Reviewed by John W. Coltman. 8 (1982): 105–08.

Cervelli, Luisa. Antichi strumenti in un moderno museo: Museo Nazionale Strumenti Musicali—Roma, 2d ed. Reviewed by Darcy Kuronen. 15 (1989): 119–21.

Cheape, Hugh. Bagpipes: A National Collection of a National Instrument. Reviewed by James Kopp. 35 (2009): 180–83.

Chevallier, Claire, Jos van Immerseel, et al., eds. Matière et Musique’: The Cluny Encounter (Proceedings of the European Encounter on Instrument Making and Restoration). Reviewed by Laurence Libin. 28 (2002): 241–45.

Clark, J. Bunker. Transposition in Seventeenth Century English Organ Accompaniments and the Transposing Organ. Reviewed by Robert Parkins. 4 (1978): 116–18.

Clark, James. Connecticut’s Fife and Drum Tradition. Reviewed by Jayson Dobney. 39 (2013): 209–12.

Clinkscale, Martha. Makers of the Piano, Volume 2: 1820–1860. Reviewed by Edwin M. Good. 27 (2001): 198–200.

Cole, Michael. Broadwood Square Pianos: Their Historical Context, and Technical Development, Together with a New Biography of John Broadwood. Reviewed by Sabine K. Klaus. 33 (2007): 249–52.

Cole, Michael. The Pianoforte in the Classical Era. Reviewed by Martha Novak Clinkscale. 26 (2000): 218–21.

Collins, Nick, and Julio d’Escriván, eds. The Cambridge Companion to Electronic Music. Reviewed by Mark Zaki. 35 (2009): 150–53.

Collinson, Francis. The Bagpipe: The History of a Musical Instrument. Reviewed by Shelley Gruskin. 4 (1978): 141–43.

Colt, C. F. The Early Piano. Reviewed by Frederick K. Gable. 8 (1982): 99–102.

Coover, James. Music at Auction: Puttick and Simpson (of London), 1794–1971. Reviewed by Michael C. Finkelman. 17 (1991): 137–40.

Coover, James. Musical Instrument Collections: Catalogues and Cognate Literature. Reviewed by James M. Borders. 12 (1986): 156–58.

Corbin, Alain. Village Bells: Sound and Meaning in the 19th-Century French Countryside. Reviewed by Laurence Libin. 26 (2000): 235–38.

Cottrell, Stephen. The Saxophone. The Yale University Instrument Series. Reviewed by James R. Noyes. 41(2015): 281–83.

Cowling, Elizabeth. The Cello. Reviewed by Mary Cyr. 4 (1978): 136–38.

Crane, Frederick. Extant Medieval Musical Instruments: A Provisional Catalogue by Types. Reviewed by Edwin M. Ripin. 1 (1975):131–33.

Creese, David. The Monochord in Ancient Greek Harmonic Science. Reviewed by Cecil Adkins. 39 (2013): 206–07.

Cross, Thomas E. Instruments of Burma, India, Nepal, Thailand, and Tibet. Reviewed by Robert Washburn. 11 (1985): 174–76.

Crum, Alison, with Sonia Jackson. Play the Viol: The Complete Guide to Playing the Treble, Tenor, and Bass Viol. Reviewed by M. Alexandra Eddy. 17 (1991): 149–52.

Cuéllar, Alberto, et al. La Escuela Granadina de Guitarreros = Granada School of Guitar-Makers, ed. John Ray. Reviewed by James Westbrook. 42 (2016): 246–49.

Cyr, Mary. Style and Performance for Bowed String Instruments in French Baroque Music. Reviewed by Brandi Berry. 40 (2014): 243–45.

Dahlqvist, Reine. The Keyed Trumpet and Its Greatest Virtuoso, Anton Weidinger. Reviewed by Robert E. Eliason. 2 (1976): 101.

Danks, Harry. The Viola d’Amore. Reviewed by Myron Rosenblum. 4 (1978): 134–36.

de Silva, Preethi. The Fortepiano Writings of Streicher, Dieudonné, and the Schiedmayers: Two Manuals and a Notebook. Reviewed by Edwin M. Good. 36 (2010): 157–60.

Di Castro, Daniela, see Barigazzi, Giuseppe, John Henry van der Meer, Daniela Di Castro, and Michael Latcham.

di Fronzo, Luigi, see Arruga, Franco Lorenzo, Luigi di Fronzo, Elena Previdi, and Giovanni Paolo Di Stefano.

Di Stefano, Giovanni Paolo, see Arruga, Franco Lorenzo, Luigi di Fronzo, Elena Previdi, and Giovanni Paolo Di Stefano.

Di Stefano, Giovanni Paolo, see Mazzoca, Fernando, Grant O’Brien, Giovanni Paolo Di Stefano, Lavinia Galli, and Andreina Bazzi.

Dirksen, Pieter, ed. The Harpsichord and its Repertoire: Proceedings of the International Harpsichord Symposium, Utrecht 1990. Reviewed by Arthur Lawrence. 23 (1997): 151–53.

Doderer, Gerhard, and John Henry van der Meer. Cordofones de tecla portugueses do século XVIII: Clavicordios, cravos, pianofortes e espinetas / Portuguese String Keyboard Instruments of the Eighteenth Century: Clavichords, Harpsichords, Fortepianos and Spinets. Reviewed by Susanne Skyrm. 34 (2008): 140–44.

Douglass, Fenner. Cavaillé-Coll and the Musicians. Reviewed by Charles Ferguson. 8 (1982): 102–04.

Downie, Margaret Anne. The Rebec: An Orthographic and Iconographic Study. Reviewed by Cecil D. Adkins. 11 (1985): 186–87.

Dreyfus, Laurence Dana. Bach’s Continuo Group: Players and Practices in His Vocal Works. Reviewed by Gordon Sandford. 15 (1989): 125–27.

Drouin, F., see Castellengo, M., F. Drouin, and P. Sechet.

Dudgeon, Ralph T. The Keyed Bugle. Reviewed by S. Frederick Starr. 20 (1994): 128–30.

Dufetel, Nicolas, ed. Liszt e il suono di Érard / Liszt and the Érard sound / Liszt et le son Érard. Reviewed by Susanne Skyrm. 39 (2013): 213–16.

Dullat, Günter. 200 Jahre Patente, Privilegien und Gebrauchsmuster im internationalen Holz- und Metallblasinstrumentenbau. Reviewed by Albert R. Rice. 38 (2012): 162–65.

Dullat, Günter. Verzeichnis der Holz- und Metallblasinstrumentenmacher auf deutschsprachigem Gebiet von 1500 bis Mitte des 20. Jahrhunderts. Reviewed by Sabine K. Klaus. 37 (2011): 160–65.

Ehrlich, Cyril. The Piano: A History. Reviewed by Keith G. Grafing. 4 (1978): 114–16.

Eliason, Robert E. Early American Brass Makers. Reviewed by Robert E. Sheldon. 7 (1981): 114–16.

Eliason, Robert E. Graves & Company: Musical Instrument Makers. Reviewed by Robert Austin Warner. 3 (1977): 131–32.

Elrod, Mark, see Garofalo, Robert, and Mark Elrod.

Elste, Martin, see Meer, John Henry van der, Martin Elste, and Gunther Wagner.

Escriván, Julio d’, see Collins, Nick, and Julio d’Escriván, eds.

Farrell, Susan Caust. Directory of Contemporary Musical Instrument Makers. Reviewed by Dale Higbee. 10 (1984): 119–20.

Ferguson, John Allen. Walter Holtkamp, American Organ Builder. Reviewed by Robert Clark. 7 (1981): 109–11.

Ferranti, Hugh de. Japanese Musical Instruments. Reviewed by Barbara B. Smith. 28 (2002): 211–15.

Fesperman, John. Flentrop in America: An Account of the Work and Influence of the Dutch Organ Builder D. A. Flentrop in the United States, 1939–1977. Reviewed by Barbara Owen. 10 (1984): 123–25.

Fesperman, John. Organs in Mexico. Reviewed by Arthur Lawrence. 8 (1982): 104–05.

Fischer, Henry George. The Renaissance Sackbut and Its Use Today. Reviewed by Herbert W. Myers. 12 (1986): 170–73.

Fjellestad, Hans.Moog: A Documentary Film. Reviewed by Randy Westbrook. 32 (2006): 175–79.

Fleming, Michael. Viol-Making in England c. 1580–1660. Reviewed by John Moran. 29 (2003): 255–59.

Focht, Josef. Der Wiener Kontrabass: Spieltechnik und Aufführungspraxis, Musik und Instrumente. Reviewed by John Moran. 28 (2002): 222–27.

Fock, Gustav. Hamburg’s Role in Northern European Organ Building. Reviewed by Jane Shatkin Hettrick. 26 (2000): 231–35.

Ford, Terence, and Andrew Green. The Pierpont Morgan Library: Medieval and Renaissance Manuscripts. Reviewed by Carolyn Bryant. 16 (1990): 197–201.

Ford, Terence, comp. and ed. The National Gallery of Art, Washington. Reviewed by Carolyn Bryant. 16 (1990): 197–201.

Ford, Terence, see also Owens, Margareth, with Terence Ford, ed.; see also Hurwitt, Elliot, with Terence Ford, ed.

Frühauf, Tina. The Organ and Its Music in German-Jewish Culture. Reviewed by Sebastian M. Glück. 36 (2010): 169–72.

Galazzo, Alberto, see Brauchli, Bernard, Alberto Galazzo, and Ivan Moody, eds.

Galazzo, Alberto, see Brauchli, Bernard, Alberto Galazzo, and Judith Wardman, eds.

Galli, Lavinia, see Mazzoca, Fernando, Grant O’Brien, Giovanni Paolo Di Stefano, Lavinia Galli, and Andreina Bazzi.

Garofalo, Robert, and Mark Elrod. A Pictorial History of Civil War Era Musical Instruments and Military Bands. Reviewed by Robert E. Eliason. 12 (1986): 173–76.

Gartrell, Carol A. A History of the Baryton and Its Music: King of Instruments, Instrument of Kings. Review by John Moran. 36 (2010): 176–79.

Geiser, Brigitte. Studien zur Frühgeschichte der Violine. Reviewed by Laurence C. Witten II. 5–6 (1979–80): 187–89.

Gellerman, Robert F. The American Reed Organ and the Harmonium: A Treatise on Its History, Restoration and Tuning, with Descriptions of Some Outstanding Collections, Including a Stop Dictionary and a Directory of Reed Organs. Reviewed by Allison Alcorn-Oppedahl. 25 (1999): 148–51.

Gellerman, Robert R. [i.e., F.]. Gellerman’s International Reed Organ Atlas, second edition. Reviewed by Allison Alcorn–Oppedahl. 25 (1999): 148–51.

Gétreau, Florence, et al. Chopin e il suono di Pleyel: Arte e musica nella Parigi romantica / Chopin and the Pleyel Sound: Art and Music in Romantic Paris / Chopin et le son Pleyel: Art et musique dans le Paris romantique. Alla ricerca dei suoni perduti / In Search of Lost Sounds, Appendix 3. Reviewed by Anita Sullivan. 38 (2012): 166–69.

Gétreau, Florence. Aux Origines du Musée de la Musique: Les Collections instrumentales du Conservatoire de Paris, 1793–1993. Reviewed by André P. Larson. 25 (1999): 133–36.

Gétreau, Florence. Musique-Images-Instruments. Vol. 12, Orchestres aux XVIIIe et XIXe siècles: composition, disposition, directions, représentation. Reviewed by Robert Adelson. 38 (2012): 248–50.

Giannini, Tula. Great Flute Makers of France: The Lot and Godfroy Families, 1650–1900. Reviewed by Ardal Powell. 23 (1997): 153–58.

Gierveld, Arend Jan. Het Nederlandse huisorgel in de 17de en 18de eeuw. Reviewed by Dale Carr. 7 (1981): 111–14.

Giesel, Helmut. Studien zur Symbolik der Musikinstrumente im Schrifttum der alten und mittelalterlichen Kirche, von den Anfängen bis zum 13. Jahrundert. Reviewed by Tilman Seebass. 8 (1982): 96–99.

Gifford, Paul M. The Hammered Dulcimer in America: A History. Reviewed by Nancy Groce. 30 (2004): 172–75.

Gleich, Clemens von. A Checklist of Pianos: Musical Instrument Collection Haags Gemeentemuseum. Reviewed by Thomas Masinter. 15 (1989): 121–22.

Gleich, Clemens von. Haags Gemeentemuseum: Over het ontstaan van de Muziekafdeling: Portret van de Verzameling-Scheurleer. Reviewed by James M. Borders. 14 (1988): 168–71.

Glinsky, Albert. Theremin: Ether Music and Espionage. Reviewed by John W. Coltman. 28 (2002): 215–19.

Good, Edwin M. Giraffes, Black Dragons, and Other Pianos. Reviewed by Maribel Meisel. 11 (1985): 182–85.

Good, Edwin M. Giraffes, Black Dragons, and Other Pianos: A Technological History from Cristofori to the Modern Concert Grand, 2nd edition. Reviewed by Edward L. Kottick. 28 (2002): 230–34.

Good, Edwin M. The Eddy Collection of Musical Instruments: A Checklist. Reviewed by James M. Borders. 14 (1988): 168–71.

Goodkind, Herbert K. Violin Iconography of Antonio Stradivari: 1644–1737. Reviewed by Albert Mell. 4 (1978): 130–33.

Gorney, Michaelene, see Smar, Joyce, Michaelene Gorney, and Jane Vial.

Greated, Clive, see Campbell, Murray.

Green, Andrew, see Ford, Terence, and Andrew Green.

Green, Robert A. The Hurdy-Gurdy in Eighteenth-Century France. Reviewed by Carolyn W. Simons. 24 (1998): 148–51.

Griscom, Richard, and David Lasocki. The Recorder: A Guide to Writings about the Instrument for Players and Researchers. Reviewed by Dale Higbee. 23 (1997): 161–63.

Groce, Nancy, Musical Instrument Makers of New York: A Directory of Eighteenth- and Nineteenth-Century Urban Craftsmen. Reviewed by Laurence Libin. 18 (1992): 103–06.

Guion, David M. The Trombone: Its History and Music, 1697–1811. Reviewed by Albert R. Rice. 16 (1990): 192–96.

Gunji, Sumi, and Henry Johnson. A Dictionary of Traditional Japanese Musical Instruments: From Prehistory to the Edo Period. Reviewed by Jeremy Montagu. 40 (2014): 249–52.

Gunji, Sumi, Kazue Nakamizo, Miki Ito, and Mayumi Okada, eds. The Collection of Musical Instruments [at the Kunitachi College of Music Research Institute, Tokyo]. Reviewed by Peter H. Adams. 17 (1991): 145–46.

Gura, Philip F., and James F. Bollman. America’s Instrument: The Banjo in the Nineteenth Century. Reviewed by André Larson. 27 (2001): 195–98.

Gura, Philip F.C. F. Martin and His Guitars, 1796–1873. Reviewed by Darcy Kuronen. 31 (2005): 187–91.

Haags Gemeentemuseum. Traditional Musical Instruments of Japan. Reviewed by Barbara B. Smith. 9 (1983): 123–24.

Haine, Malou, and Nicolas Meeùs, eds. Dictionnaire des facteurs d’instruments de musique en Wallonie et à Bruxelles du 9e siècle à nos jours. Reviewed by Barbara Owen. 14 (1988): 164–67.

Haine, Malou. Adolphe Sax (1814–1894): Sa vie, son oeuvre et ses instruments de musique. Reviewed by Carolyn Bryant. 9 (1983): 132–35.

Haine, Malou. Musica: Les instruments de musique dans les collections belges / Musical Instruments in Belgian Collections / Muziek-instrumenten in Belgische versammlungen. Reviewed by Albert R. Rice. 17 (1991): 140–45.

Hammerl, Josef and Reiner, eds. Geigenlacke: Wissenwertes über Harze und Grundstoffe für Geigenlacke sowie Ratschläge zur Lackierung. Reviewed by Lee Brentlinger. 20 (1994): 122.

Hammond, Anthony. Pierre Cochereau: Organist of Notre-Dame. Reviewed by Timothy Tikker. 40 (2014): 252–56.

Harvey, Brian W., and Carla J. Shapreau. Violin Fraud: Deception, Forgery, and Lawsuits in England and America. Reviewed by Todd French. 25 (1999): 154–57.

Haynes, Bruce, see also Burgess, Geoffrey.

Haynes, Bruce. A History of Performing Pitch: The Story of “A”. Reviewed by Kenneth Kreitner. 32 (2006): 194–96.

Haynes, Bruce. The Eloquent Oboe: A History of the Hautboy from 1640 to 1760. Reviewed by Susan E. Thompson. 29 (2003): 245–49.

Hellwig, Friedemann, and Barbara Hellwig. Joachim Tielke: Kunstvolle Musikinstrumente des Barock. Reviewed by Eszter Fontana. 38 (2012): 150–53.

Hellwig, Friedemann, ed. Studia Organologica: Festschrift für John Henry van der Meer zu seinem fünfundsechzigsten Geburtstag. Reviewed by Gordon Sandford. 16 (1990): 177–80.

Henkel, Hubert. Beiträge zum historischen Cembalobau. Reviewed by Howard J. Serwer. 9 (1983): 125–28.

Herbert, Trevor, and John Wallace, eds. The Cambridge Companion to Brass Instruments. Reviewed by John Q. Ericson. 25 (1999): 151–54.

Herbert, Trevor, ed. Bands: The Brass Band Movement in the 19th and 20th Centuries. Reviewed by S. Frederick Starr. 19 (1993): 112–13.

Herbert, Trevor. The Trombone. Reviewed by Charlotte A. Leonard. 33 (2007): 245–49.

Herzberg, Theodor, see Bahnert, Heinz, Theodor Herzberg, and Herbert Schramm.

Heyde, Herbert. Katalog des Musikinstrumenten-Museums der Karl-Marx-Universität, Leipzig. Vol. 1, Flöten; vol. 3, Trompeten, Posaunen, Tuben. Reviewed by Lloyd P. Farrar. 9 (1983): 112–17.

Hiller, Albert. Das Grosse Buch vom Posthorn. Reviewed by Ralph Dudgeon. 14 (1988): 181–84.

Hipkins, Alfred J. A Description and History of the Pianoforte and of the Older Keyboard Stringed Instruments. Reviewed by Laurence Libin. 5–6 (1979–80): 182–84.

Hoeprich, Eric. The Clarinet. Reviewed by Albert R. Rice. 35 (2009): 174–77.

Hollis, Helen Rice, The Piano: A Pictorial Account of Its Ancestry and Development. Reviewed by Laurence Libin. 5–6 (1979–80): 184–87.

Holman, Peter, see Wainwright, Jonathan, and Peter Holman, eds.

Hood, Ki Mantle. The Evolution of Javanese Gamelan. Book 3, Paragon of the Roaring Sea. Reviewed by Barbara B. Smith. 17 (1991): 162.

Hood, Mantle. The Evolution of Javanese Gamelan. Book 1, Music of the Roaring Sea. Reviewed by Barbara B. Smith. 11 (1985): 192–95.

Hood, Mantle. The Evolution of Javanese Gamelan. Book 2, The Legacy of the Roaring Sea. Reviewed by Barbara B. Smith. 12 (1986): 158–61.

Hoover, Cynthia Adams, see Odell, J. Scott, and Cynthia Adams Hoover, eds.

Hopfner, Rudolf. Streichbogen: Katalog; Sammlung alter Musikinstrumente und Sammlungen der Gesellschaft der Musikfreunde in Wien im Kunsthistorischen Museum Wien. Reviewed by John Moran. 28 (2002): 222–27.

Huber, Alfons, ed. Das Österreichische Cembalo: 600 Jahre Cembalobau in Österreich. Reviewed by Howard Schott. 30 (2004): 179–83.

Huber, John. The Development of the Modern Violin, 1775–1825: The Rise of the French School. Reviewed by John Moran. 28 (2002): 222–27.

Huntington, Scot L., see Ogasapian, John, Scot L. Huntington, Len Levasseur, and N. Lee Orr, eds.

Hurwitt, Elliot, with Terence Ford, ed. The Frick Collection, New York. Reviewed by Carolyn Bryant. 16 (1990): 197–201.

Ito, Miki, see Gunji, Sumi, Kazue Nakamizo, Miki Ito, and Mayumi Okada, eds.

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